The Piano Teacher

April 19, 2010
In this satisfying, lyrical memoir of a potentially disastrous clash between East and West, a Boulder native and Boston University graduate found an unlikely fit living in Cairo, Egypt, and converting to Islam. Wilson embarked on a yearlong stint working at an English-language high school in Cairo right after her college graduation in 2003. She had already decided that of the three Abrahamic religions, Islam fulfilled her need for a monotheistic truth, even though her school did not include instruction in the Qur'an because “it angered students and put everybody at risk.” Once in Cairo, despite being exposed to the smoldering hostility Arab men held for Americans, especially for women, she found she was moved deeply by the daily plight of the people to scratch out a living in this dusty police state tottering on the edge of “moral and financial collapse”; she and her roommate, barely eating because they did not know how to buy food, were saved by Omar, an educated, English-speaking physics teacher at the school. Through her deepening relationship with Omar, she also learned Arabic and embraced the ways Islam was woven into the daily fabric of existence, such as the rituals of Ramadan and Friday prayers at the mosque. Arguably, Wilson's decision to take up the headscarf and champion the segregated, protected status of Arab women can be viewed as odd; however, her work proves a tremendously heartfelt, healing cross-cultural fusion.

February 3, 1992
A brilliant and uncompromising tale of sexuality and violence set in modern Vienna; Jelinek's Wonderful, Wonderful Times was selected as one of PW 's best 1990 paperbacks.

January 1, 1988
Sexuality and violence are coupled in this brilliant, uncompromising book set in modern-day Vienna, by the winner of the 1986 Heinrich Boll Prize. Erika Kohut, a spinster in her mid-30s, has been selected by her domineering mother to be sacrificed on the altar of art. Carefully groomed and trained, she's unfortunately not gifted enough to become a concert pianist. Instead, she teaches piano at the Vienna Conservatory. She still lives at home, and in the eyes of the world is the dutiful daughter. But there's another, perversely sexual side of Erika that she finds difficult to repress. She goes to a peep show, frequents the local park where Turks and Serbo-Croats pick up women and, just for kicks, slices herself with a razor. When one of her students, Walter Klemmer, falls in love with her, Erika demands sadomasochistic rituals before she'll agree to sleep with him. While the subject matter is deliberately perverse, Jelinek gets behind the cream-puff prettiness of Vienna; this novel is not for the weak of heart. Violence is a cleansing force, a point that brings back uncomfortable overtones of an Austria 50 years ago.