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Douglas Florian explores the arboreal world with his signature wit and whimsy in this tree-mendous picture book poetry collection featuring a dynamic vertical format that illustrates the incredible heights and shapes of the trees.
Seeds are sprouting, roots are spreading, and branches are swaying. From coconut palms and bristlecone pines to baobabs and banyans, discover the scientific nature of these majestic plants as well as their unique and quirky characteristics.
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  • Reviews

    • Publisher's Weekly

      February 15, 2010
      In this unusual collection, Florian focuses on several types of and parts of a tree, with poems about seeds, roots, bark, leaves, and tree rings (“Tree rings show/ how trees grow./ Wide rings: fast growth./ Narrow rings: slow”). Solid in their meter and rhymes, the poems are idiosyncratic rather than comprehensive, creating a hybrid of information, wordplay, and artistic invention. Appropriately enough, Florian's sophisticated collages are created on primed paper bags allowing him to combine interesting textures, chalk, colored pencils, stamps, and oil pastels. In addition to familiar oaks and birches, Florian (Dinothesaurus
      ) explores more unusual trees, including the dragon tree, monkey puzzle tree, and baobab. The book is designed to be held and read vertically, allowing Florian to showcase the height of trees like the giant sequoia (“Never destroy a/ Giant sequoia”) or banyan from treetop to root bottom. However, some may find this makes for awkward lap reading. Teachers in particular will find Florian's “Glossatree” at the end useful. Filled with facts about the trees described in the poems, it also includes a brief bibliography and author's note describing Florian's lifelong fascination with trees. Ages 6–up.

    • School Library Journal

      March 1, 2010
      Gr 3-6-Florian focuses on trees (seeds, bark, leaves, roots, and tree rings) and introduces readers to 13 species from around the world. An oversize, double-page illustration accompanies each poem. Some are read lengthwise, which enables the artist to highlight the awesome height and size of trees. The selections are accessible and concise, with child-friendly wordplay and artful design: of the "spreading," "treading," "always-outward-heading" banyan tree, Florian concludes: "It's not a tree/It's a forest!" The primitive illustrationscrafted on "primed paper bags" using mixed media including gouache watercolor paints, colored pencils, rubber stamps, oil pastels, and collagerange in nuance from whimsy to mystery and reverence. In "The Seed," Florian highlights the symmetry of trees by laying out the short text in a figure eight, an eternity symbol; this dovetails neatly with the overall theme of recycling and renewal. He concludes with a "Glossatree," a thumbnail sketch of each tree, and an author's note and sources. This exquisite collection, with its thoughtful wordplay and timely subject, rewards careful reading and should resonate with a wide audience."Marilyn Taniguchi, Beverly Hills Public Library, CA"

      Copyright 2010 School Library Journal, LLC Used with permission.

    • Booklist

      March 1, 2010
      Grades 3-6 Starting with the books title and ending with a final glossatree, the wordplay in Florians latest poetry collection provides plenty of fun. Each of the 18 poems celebrates the wonder of trees, from the giant sequoia (the worlds tallest trees) and the Banyan (an acre in its canopy) to the bristlecone pine, one of the oldest trees on earth (alive for fifty cen-trees). Each poem is printed on a vertical double-page spread illustrated with mixed-media artwork in gouache, watercolor, colored pencil, rubber stamps, oil pastels, and collage on brown paper bags. The dramatic swirling visuals sometimes swamp the words, but the blurry images do leave room for kids to use their imaginations as they interpret the poems. The big pages are well suited for group sharing, as are the playful puns (Lovely leaves / Leave me in awe). The final fascinating notes on each tree, and on leaves, stems, and roots, spell out the call for conservation that is part of the poetry and pictures.(Reprinted with permission of Booklist, copyright 2010, American Library Association.)

    • The Horn Book

      March 1, 2010
      Swiveling his pages ninety degrees for tree-tall vertical spreads, the popular poet/illustrator celebrates the utility and diversity of trees in thirteen poems on a variety of species, plus five on such features as seeds, roots, and bark. His reach is broad, from the exotic baobab to the familiar paper birch. Bits of information laced with puns ("moles, and voles /... tunnel under roots of trees / And root there for their families") share time with other lore (yews are "home to gnomes and elves and trolls") and advice ("Never destroy a / Giant sequoia"). The handsome, freely rendered multimedia art is more evocative than representational, incorporating intriguing references to human forms (both Japanese cedar and bristlecone pine recall hands, the yew an Ent-like head; a pair of eyes weep willow leaves). A "glossatree," brief note, and list of five sources extend the information. Trees need all the help they can muster in today's world; this quirky entry may well enlist interest.

      (Copyright 2010 by The Horn Book, Incorporated, Boston. All rights reserved.)

    • The Horn Book

      July 1, 2010
      Swiveling his pages ninety degrees for tree-tall vertical spreads, the popular poet-illustrator celebrates the utility and diversity of trees in thirteen poems on a variety of species, plus five on such features as seeds, roots, and bark. Handsome, freely rendered multimedia art, more evocative than representational, illustrates the quirky poems.

      (Copyright 2010 by The Horn Book, Incorporated, Boston. All rights reserved.)

Formats

  • OverDrive Read

Languages

  • English

Levels

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